Science Fiction and Prophecy: Talking to Arthur C. Clarke, Tod Mesirow interviews Arthur C. Clarke
TM: Is it fair to call some science fiction writers prophets in a way?
ACC: Yes, but accidental prophets, because very few attempt to predict the future as they expect it will be. They may in some cases, and I’ve done this myself, write about — try to write about — futures as they hope they will be, but I don’t know of anyone that’s ever said this is the way the future will be.
TM: I guess the definition of a real prophet, right?
ACC: Well, I don’t think there is such a thing as, as a real prophet. You can never predict the future. We know why now, of course, chaos theory, which I got very interested in, shows you can never predict the future.
TM: So the success of science fiction writers is, because they predict everything that might happen, eventually —
ACC: Well, the success of a science fiction writer is if he can write a good read.
Elon’s Basilisk: why exploitative, egomaniacal rich dudes think AI will destroy humanity, Cory Doctorow:
As I’ve written before, science fiction isn’t very good at predicting the future, but it’s great at predicting the present: tell us what futuristic phenomena you fear and hope for and we’ll know what fears about yourself and your relations with the people around you are lurking, possibly unacknowledged, in your psyche.
A Comparison of Dystopian Nightmares and Utopian Dreams: Two Paths in Science Fiction Literature That Both Lead to Humanity’s Loss of Empathy, Thomas M. Disch:
Better than any SF [or, science fiction,] writer of his time, Dick understood that science fiction is not about predicting the future but examining the present.
Prediction, SF Encyclopedia, David Langford and Peter Nicholls.
The most widespread false belief about sf among the general public is that it is a literature of prediction. Very few sf writers have ever claimed this to be the case, although Hugo Gernsback did see one function of his sf magazines as to paint an accurate picture of the future. Very few of the stories he published lived up to his editorializing. When John W Campbell Jr took over the editorship of Astounding he demanded an increasing scientific plausibility from his writers, but a plausible-sounding “perhaps” is a long way from prediction.
“Huxley’s Bad Trip”, An introduction to the Folio Society edition of Aldous Huxley’s Brave New World, 2013, Ursula K. Le Guin.
“The cautionary novel does what many people assume all science fiction does: it predicts the future. However much they may exaggerate dramatically or satirically, predictive writers extrapolate immediately from fact. And, believing that they know what’s going to happen in the future, for good or for evil, they want the reader to believe it too. A great deal of science fiction, however, has nothing to do with the future, but is a playful or serious thought experiment, such as H. G. Wells’s War of the Worlds or Ray Bradbury’s Martian Chronicles. Thought experimenters use fiction to recombine aspects of reality into forms not meant to be taken literally, only to open the mind to possibility. They don’t deal with belief at all.
This distinction enforced itself on me when I realised that Huxley himself appears to have believed quite literally in his prediction.”
“Our Dystopia: Imagining More Hopeful Futures”, Kameron Hurley:
“People often ask me about the power and purpose of science fiction. Are we future-prophets? Should there be a religion founded on William Gibson texts? Should we make Octavia Butler our patron saint of change? Will Connie Willis found the next Scientology spin-off?
I don’t think we’re seers. Most of us can’t even predict what we’ll have for lunch tomorrow. I’m even conflicted about the idea of us on advisory committees for NASA. We don’t know the future any better than anyone else. If you’d asked me in 1988, I’d certainly have thought the world would have exploded into a fiery World War Three by now and we would all be being hunted by Terminator robots. In truth, some of the worlds I created, like the one in my God’s War trilogy, look far more like post-apocalypse novels than anything else. That’s still the future I turn my head toward when shit gets real. It’s the future I know. It’s the one I grew up with.”
Nigel Kneale: Science fiction is never about the future, it is always about the present.