This week the #puzzle is: Can You Irrigate the Garden? #probabilities #geometry #trigonometry #average #integration

You and your assistant are planning to irrigate a vast circular garden, which has a radius of 1 furlong. However, your assistant is somewhat lackadaisical when it comes to gardening. Their plan is to pick two random points on the circumference of the garden and run a hose straight between them.

You’re concerned that different parts of your garden—especially your prized peach tree at the very center—will be too far from the hose to be properly irrigated.

On average, how far can you expect the center of the garden to be from the nearest part of the hose?

And for extra credit:

As before, your assistant intends to pick two random points along the circumference of the garden and run a hose straight between them.

This time, you’ve decided to contribute to the madness yourself by picking a random point inside the garden to plant a second peach tree. On average, how far can you expect this point to be from the nearest part of the hose?

Can You Irrigate the Garden?

Highlight to reveal (possibly incorrect) solution:

Program Desmos

My first attempt was a monte carlo program.

My second was to use integration. I convert from “2 random points” to “1 random point and 1 fixed in a nice way” to “2 random points but with similar angles”. That way the integral is nicer.

Result: 2/π ≈ 0.636619772368.

And for extra credit:

Desmos

My first (and only) attempt was the program.

Note that the line going through the 2 hose points might be closer to the random point than the hose itself.

Result: 0.74178.

This week the #puzzle is: The Randy Hall Problem #probabilities #MontyHall

You are a producer on a game show hosted by Randy “Random” Hall (no relation to Monty Hall). The show has three doors labeled 1 through 3 from left to right, and behind them are various prizes.

Contestants pick one of the three doors at which to start, and then they press an electronic button many, many times in rapid succession. Each time they press the button, they either stay at their current door or move to an adjacent door. If they’re at door 2 and move to an adjacent door, that new door will be 1 or 3 with equal probability.

Randy has decided that when a contestant presses the button while at door 2, there should be a 20 percent chance they remain at door 2.

As the producer, you want the chances of a contestant ultimately winding up at each of the three doors to be nearly equal after many button presses. Otherwise, mathematicians will no doubt write you nasty letters complaining about how your show is rigged.

If a contestant presses the button while at door 1 (or door 3), what should the probability be that they remain at that door?

And for extra credit:

Randy has an updated suggestion for how the button should behave at door 2. What hasn’t changed is that if a contestant at door 2 and moves to an adjacent door, that new door will be 1 or 3 with equal probability.

But this time, on the first, third, fifth, and other odd button presses that happen to be at door 2, there’s a 20 percent the contestant remains at door 2. On the second, fourth, sixth, and other even button presses that happen to be at door 2, there’s a 50 percent chance the contest remains at door 2.

Meanwhile, the button’s behavior at doors 1 and 3 should in no way depend on the number of times the button has been pressed.

As the producer, you want the chances of winding up at each of the three doors—after a large even number of button presses— to be nearly equal.

If a contestant presses the button while at door 1 (or door 3), what should the probability be that they remain at that door?

The Randy Hall Problem

Highlight to reveal (possibly incorrect) solution:

Thoughts:

• Notation:
  • Probability of being at door n after k button presses: p_k(n).
  • Probability of being at door n and moving direction d: p(n,d).
• p(2,stay) = 0.2
• p(2,left) = p(2,right) = 0.4 (0.4 * 2 + 0.2 = 1)
• p(1,stay) = p(3,stay) = x
• p(1,right) = 1 – p(1,stay) = 1 – 0.4 = 0.6
• Assume we have reached a steady state after k presses of the button, so p_k(1) = p_k(2) = p_k(3) = 1/3 and p_k+1(1) = p_k+1(2) = p_k+1(3) = 1/3.
• After 1 press of the button we reach new probabilities:
  • p_k+1(1) = p_k(1) * p(1,stay) + p_k(2) * p(2,left)
  • <=> 1/3 = 1/3 * x + 1/3 * 0.4
  • <=> 1 = x + 0.4
  • <=> 0.6 = x
  • For symmetry reasons, the same calculation works for p_k+1(3).
  • p_k+1(2) = p_k(1) * p(1,right) + p_k(2) * p(2,stay) + p_k(3) * p(3,left)
  • <=> 1/3 = 1/3 * 0.4 + 1/3 * 0.2 + 1/3 * 0.4
  • <=> 1 = 0.4 + 0.2 + 0.4
  • It works.

And for extra credit:

Thoughts:

• p(2,stay,odd) = 0.2
• p(2,left,odd) = p(2,right,odd) = 0.4 (0.4 * 2 + 0.2 = 1)
• p(2,stay,even) = 0.5
• p(2,left,even) = p(2,right,even) = 0.25 (0.25 * 2 + 0.5 = 1)
• p(1,stay) = p(3,stay) = x
• p(1,right) = p(3,left) = 1 – x
• Assume we have reached a steady state after k (even) presses of the button, so p_k(1) = p_k(2) = p_k(3) = 1/3 and p_k+2(1) = p_k+2(2) = p_k+2(3) = 1/3.
• Press the button:
  • p_k+1(1) = p_k(1) * p(1,stay) + p_k(2) * p(2,left,odd)
  • <=> p_k+1(1) = 1/3 * x + 1/3 * 0.4
  • <=> p_k+1(1) = 1/3 * (x + 0.4)
  • p_k+1(2) = p_k(1) * p(1,right) + p_k(2) * p(2,stay,odd) + p_k(3) * p(3,left)
  • <=> p_k+1(2) = 1/3 * (1 – x) + 1/3 * 0.2 + 1/3 * (1 – x)
  • <=> p_k+1(2) = 1/3 * (1 – x + 0.2 + 1 – x)
  • <=> p_k+1(2) = 1/3 * (-2 * x + 2.2)
  • p_k+2(1) = p_k+1(1) * p(1,stay) + p_k+1(2) * p(2,left,even)
  • <=> 1/3 = 1/3 * (x + 0.4) * x + 1/3 * (-2 * x + 2.2) * 0.25
  • <=> 1 = (x + 0.4 ) * x + (-2 * x + 2.2) * 0.25
  • <=> 1 = x² + 0.4 * x – 0.5 * x + 0.55
  • <=> 0 = x² – 0.1 * x – 0.45
  • <=> x = (1+√181)/20 ≈ 0.722681

For illustration of all the probabilities:

pk(1)	pk(2)	pk(3)
0.333333	0.333333	0.333333
pk+1(1)	pk+1(2)	pk+1(3)
0.374227	0.251545	0.374227
pk+2(1)	pk+2(2)	pk+2(3)
0.333333	0.333333	0.333333

odd		direction
door	left	stay	right
1		0.722681	0.277319
2	0.4	0.2	0.4
3	0.277319	0.722681

even		direction
door	left	stay	right
1		0.722681	0.277319
2	0.25	0.5	0.25
3	0.277319	0.722681

I am listening to the podcast 372 Pages We’ll Never Get Back. In episode 35-38 they discuss Bob Honey Who Just Do Stuff.

372 Pages We’ll Never Get Back

Real or fanfic

The spreadsheet ! A very good performance.

Summary of important advice

Consistency, continuity.

• The character Honey doesn’t coalesce.
• Pop granny dreams of Cuban bar boys.
• Calling it indescribable and then describing it.

Originality.

• Wake up, sheeple.
• Intelligence.

Realism. Being human.

• Honey is dumb? Caultier is dumb?
• The best at selling ice cream, fireworks etc.
• Jew speak.
• It is just very hard to relate to relate to Honey. He’s crazy?

Variety.

• Repetition of words.

Details: not too many, not too few.

• Something a little like plot is interrupted by a new info dump.
• Simply Georgia, 1658???
• Introducing a word + a footnote, instead of writing a simpler sentence.

POV. Tone.

• Revolting descriptions.
• Footnotes for reasons.
• Satire like delilo or Pynchon. Magic realism?
• The narrator hates the reader.
• And perhaps… It could be said…

Use words and phrases correctly.

• Alliteration, but not good. And it’s a lot. And a cliché.
• Stringing random words together.
• Some sentences are hard or impossible to understand. Some words are used wrong.
• Too many commas.
• Footnote using insensitivity wrong.
• Derma, used incorrectly.

Being funny.

• Is it? Woodshop teachers.
• Mr. Woodcock.

Other stuff.

• Aspiring to be a lot. Right? Done artlessly and cynically. No charm.

Ep. 35, prelude + st. 1-5

Don’t do this

• Words. Alliteration, but not good. And it’s a lot. And a cliché.
• Aspiring to be a lot. Right? Done artlessly and cynically. No charm.
• Funny. Is it? Woodshop teachers.
• Words. Stringing random words together.
• Variety. Repetition of words.
• Words. Some sentences are hard or impossible to understand. Some words are used wrong.
• Tone. Revolting descriptions.
• Words. Too many commas.
• Tone. Footnotes for reasons.
• Cliché. Wake up, sheeple.
• Details. Something a little like plot is interrupted by a new info dump.
• Tone. Satire like delilo or Pynchon. Magic realism?
• Funny. Mr. Woodcock.
• POV. The narrator hates the reader.

Running gags

• Settle down.

Oops.

• Chowcer? A miller’s tale.
• One of the hard to understand sentences are explained later.

Real or fanfic, 1:08:49

• Mike is just always guessing.
• Real ❎ Fanfic ❎ Real ❎ Fanfic ✔️ Fanfic ✔️

Ep. 36, st. 6-9

Don’t do this

• Originality. Intelligence.
• Consistency. The character Honey doesn’t coalesce.
• Realism. Honey is dumb? Caultier is dumb?
• Words. Footnote using insensitivity wrong.
• Consistency. Pop granny dreams of Cuban bar boys.
• POV. And perhaps… It could be said…
• Realism. The best at selling ice cream, fireworks etc.
• Racism. Jew speak.

Running gags

• Pappy.

Real or fanfic, 50:25

• Real ✔️ Fanfic ✔️ Fanfic ✔️ Real ✔️ Fanfic ✔️

Ep. 37, from st. 10 to about 7 pages into st. 13, including poem, last line: egg on his face.

Don’t do this

• Words. Derma, used incorrectly.
• Details. Simply Georgia, 1658???
• Realism. It is just very hard to relate to relate to Honey. He’s crazy?
• Details. Introducing a word + a footnote, instead of writing a simpler sentence.

Running gags

• Settle down. Probably used in every episode from now on.

Oops.

• Mike read too much!

Real or fanfic, 51:29

• Real (no guessing) Fanfic ✔️ Real ✔️ Real ✔️ (used before?) Fanfic ✔️

Ranking

• Eye of Argon, 10/10
• 64 squares, 10/10
• Ready Player 1, 8/10
• Armada, 6/10
• Tekwar, 5/10 (slipped below Cline)
• Bob Honey, 0/10

Ep. 38, from st. 13 (the rest) to end

Don’t do this

• Consistency. Calling it indescribable and then describing it.

Running gags

• Several long minutes.
• Indescribable color.

Oops.

• Ca-moo.

This week the #puzzle is: How Much Does Game 1 Matter? #probabilities #combinatorics #PascalsTriangle #animation

You and your opponent are beginning a best-of-seven series, meaning the first team to win four games wins the series. Both teams are evenly matched, meaning each team has a 50 percent chance of winning each game, independent of the outcomes of previous games.

As the team manager, you are trying to motivate your team as to the criticality of the first game in the series (i.e., “Game 1”). You’d specifically like to educate them regarding the “probability swing” coming out of Game 1—that is, the probability of winning the series if they win Game 1 minus the probability of winning the series if they lose Game 1. (For example, the probability swing for a winner-take-all Game 7 is 100 percent.)

What is the probability swing for Game 1?

And for extra credit:

Instead of a best-of-seven series, now suppose the series is much, much longer. In particular, the first team to win N games wins the series, so technically this is a best-of-(2N−1) series, where N is some very, very large number.

In the limit of large N, what is the probability swing for Game 1 in terms of N? (For full credit, I’m expecting an answer that is rather concise!)

How Much Does Game 1 Matter?

Intermission

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This is blog post no. 1002! I forgot to celebrate at no. 1000!
🇩🇰🇩🇰🇩🇰🇩🇰🇩🇰🇩🇰🇩🇰🇩🇰🇩🇰🇩🇰🇩🇰🇩🇰🇩🇰🇩🇰

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Highlight to reveal (possibly incorrect) solution:

Program PDF

Just for funzies, I created a video!

Thoughts:

• Notation: What is the probability of winning a best of 7, if the score is already a-b? It’s p_w(a,b).
• The probability swing of game 1 is p_s(1) = p_w(1,0) – p_w(0,1).
• As noted, p_s(7) = p_w(4,3) – p_w(3,4) = 1 – 0 = 1 = 100%. (7 = 4 + 3.)
• Let’s first go through all the probabilities. I begin with the probabilities related to 7 played games, then 6 etc. In each case I calculate the probability based on a) the chance of winning a game is 0.5, b) the probabilities related to winning if this game is won/lost.

(a,b)	pw(a,b)
(4,3)	1 (1)
(3,4)	0 (2)
(4,2)	1 (1)
(3,3)	0.5 * pw(4,5) + 0.5 * pw(3,4) = 0.5 * 1 + 0.5 * 0 = 0.5 (3)
(2,4)	0 (2)
(4,1)	1 (1)
(3,2)	0.5 * pw(4,2) + 0.5 * pw(3,3) = 0.5 * 1 + 0.5 * 0.5 = 0.75
(2,3)	0.5 * pw(3,3) + 0.5 * pw(2,4) = 0.5 * 0.5 + 0.5 * 0 = 0.25
(1,4)	0 (2)
(4,0)	1
(3,1)	0.5 * pw(4,1) + 0.5 * pw(3,2) = 0.5 * 1 + 0.5 * 0.75 = 0.875
(2,2)	0.5 * pw(3,2) + 0.5 * pw(2,3) = 0.5 * 0.75 + 0.5 * 0.25 = 0.5
(1,3)	0.5 * pw(2,3) + 0.5 * pw(1,4) = 0.5 * 0.25 + 0.5 * 0 = 0.125
(0,4)	0
(3,0)	0.5 * pw(4,0) + 0.5 * pw(3,1) = 0.5 * 1 + 0.5 * 0.875 = 0.9375
(2,1)	0.5 * pw(3,1) + 0.5 * pw(2,2) = 0.5 * 0.875 + 0.5 * 0.5 = 0.6875
(1,2)	0.5 * pw(2,2) + 0.5 * pw(1,3) = 0.5 * 0.5 + 0.5 * 0.125 = 0.3125
(0,3)	0.5 * pw(1,3) + 0.5 * pw(0,4) = 0.5 * 0.125 + 0.5 * 0 = 0.0625
(2,0)	0.5 * pw(3,0) + 0.5 * pw(2,1) = 0.5 * 0.9375 + 0.5 * 0.6875 = 0.8125
(1,1)	0.5 * pw(2,1) + 0.5 * pw(1,2) = 0.5 * 0.6875 + 0.5 * 0.3125 = 0.5
(0,2)	0.5 * pw(1,2) + 0.5 * pw(0,3) = 0.5 * 0.3125 + 0.5 * 0.0625 = 0.1875
(1,0)	0.5 * pw(2,0) + 0.5 * pw(1,1) = 0.5 * 0.8125 + 0.5 * 0.5 = 0.65625
(0,1)	0.5 * pw(1,1) + 0.5 * pw(0,2) = 0.5 * 0.5 + 0.5 * 0.1875 = 0.34375
(0,0)	0.5 * pw(1,0) + 0.5 * pw(0,1) = 0.5 * 0.65625 + 0.5 * 0.34375 = 0.5

(1) The series is decided with a win.
(2) The series is decided with a loss.
(3) The series is decided in the last game, 50/50.

• It is reassuring, that p_w(a,a) = 0.5.
• p_s(1) = p_w(1,0) – p_w(0,1)
• p_s(1) = 0.65625 – 0.34375 = 21/32 – 11/32
• p_s(1) = 0.3125 = 5/16
• Win the 1st game, and the probability of winning the series rises by more than 30%.

Another set of thoughts:

• My pdf shows a few ways to look at this problem. A full series walks through this graph (page 1), starting at (0,0) and ending at some (4,b) or (a,4).
• Page 2 tilts the graph.
• If I extend the graph to include all the series, that have 7 games (e.g. (5,2)), what I’m looking at here is actually all the paths from (0,0) to any state with 7 played games. (See video above.) E.g. the path from (0,0) to (5,2) could go through (0,1), (1,1), (2,1), (2,2), (3,2) and (4,2). In reality, the 7th game wouldn’t be played, but for analysis purposes I need both paths going beyond (4,2) — the one going to (5,2) and the one going to (4,3).
• A win is a path with at least 4 wins.
• How many paths are there with 7 wins? 1.
• How many paths are there with 6 wins? 7.
• … 5 wins? 7!/5!2! = 21.
• … 4 wins? 7!/4!3! = 35.
• But the question was actually, how many paths are there, beginning in (1,0), with 4-7 wins? So, 3-6 wins out of 6.
• 1 + 6 + 6!/4!2! + 6!/3!3! = 1 + 6 + 15 + 20 = 42
• Also, counting losses:
• 1 + 6 + 6!/4!2! = 1 + 6 + 15 = 22
• There are 2⁶ = 64 paths in all
• The probability of winning from (1,0), p_w(1,0), is 42/64 = 21/32 = 0.65625. This checks out.
• For symmetry reasons, the probability of losing from (0,1) is also 0.65625 (it’s the probability of the other side winning from a similar position as already analyzed), so the probability of winning, p_w(0,1), is 0.34375.
• What we also see here is p_w(1,0) – p_w(0,1) = ((1 + 6 + 15 + 20) – (1 + 6 + 15)) / 2⁶ = 20/2⁶.
• In a first to 4 / best of 7 game, p_s(1) = 6!/3!3! / 2⁶.
• In a first to N / best of 2N-1 game, p_s(1) = (2N-2)! / [((N-1)!)² * 2^2N-2].
• BTW, we have reproduced a couple of lines of Pascal’s Triangle.

And for extra credit:

Desmos

Thoughts:

• In a first to N / best of 2N-1 game, p_s(1) = (2N-2)! / [((N-1)!)² * 2^2N-2].
• What are some values for larger N?
• N = 100, p_s(1) = 0.0566316.
• N = 1000, p_s(1) = 0.0178479.
• N = 10000, p_s(1) = 0.00564211.
• N = 100000, p_s(1) = 0.00178413.
• Desmos suggests tending towards 1/√π√N
• It seems we’re tending towards 0.

This week the #puzzle is: Will the Odds Be Ever in Your Favor? #odds

With the regular season over, there are two clear favorites for baseball’s American League Most Valuable Player (MVP) award according to ESPN:

– Aaron Judge of the New York Yankees, whose odds are -150. – Cal Raleigh of the Seattle Mariners, whose odds are +110.

The “-150” odds mean that for every $150 you bet on Judge to win MVP, you’ll earn $100 if he actually wins. The “+110” odds mean that for every $100 you bet on Raleigh to win MVP, you’ll win $110 if he actually wins. Note the differing results (winning $100 vs. betting $100) that comes with the odds being negative vs. positive.

While these betting lines may be informed by an assessment of Judge’s and Raleigh’s real chances, they may also be informed by how much money people are betting on each player.

Suppose all bettors have wagered on either Judge or Raleigh with the odds above. Some fraction f of dollars wagered have been in favor of Judge, while 1−f has been wagered on Raleigh. For what fraction f will the oddsmaker earn the same amount of money, regardless of which player earns the MVP award?

And for extra credit:

Suppose there are two leading candidates, A and B, for MVP in the Fiddler Baseball League. There are two parts to this Extra Credit, so please read carefully!

Part 1:

The odds for A winning the award have been set to +100x, where x > 1.

Let f represent the fraction of dollars wagered in favor of A. For many values of f, the oddsmaker can set the odds for B so that they’ll make the same amount of money regardless of whether A or B wins the award. However, below a certain value of f, it’s impossible for the oddsmaker to do this.

What is this critical value of f? (Your answer should be in terms of x.)

Part 2:

Now, the odds for A winning the award have been set to -100y, where y >1. Again, for many values of f, the oddsmaker can set the odds for B so they’ll make the same amount whether A or B wins the award.

What is the critical value of f below which this isn’t possible? (Your answer should be in terms of y.)

Will the Odds Be Ever in Your Favor?

Intermission

So, I didn’t get the extra credit point last week. I am still not quite sure what I should have done. (Apart from knowing more about geometry and trigonometry.) I think my methods must have contained some kernel of correctness, but I can’t figure out how to reach the actual correct value. Sigh. Any help appreciated.

Highlight to reveal (possibly incorrect) solution:

Spreadsheet

Calculations:

• If AJ wins, the oddsmaker will, for every $1 spent on AJ, pay out $(100+150)/150 or $5/3. They will lose $2/3.
• If CR wins, the oddsmaker will, for every $1 spent on CR, pay out $(110+100)/100 or $2.1. They will lose $1.1.
• A fraction f was bet on AJ, the rest, 1-f, on CR.
• If AJ wins, the oddsmaker will, in all, keep, for every $1 spent, f * (-$2/3) + 1-f.
• If CR wins, the oddsmaker will, in all, keep, for every $1 spent, f + (1-f)*(-$1.1).
• The winnings will be the same for them when:
• f * (-2/3) + 1-f = f + (1-f) * (-1.1)
• -2/3 * f + 1 – f = f – 1.1 + 1.1 * f
• -5/3 * f + 1 = 2.1 * f – 1.1
• 2.1 = (2.1 + 5/3) * f
• 2.1 = 113/30 * f
• 21/10 * 30/113 = f
• 63/113 = f, appr. 0.55752

And for extra credit:

Desmos

Calculations:

• If A wins, the oddsmaker will, for every $1 spent on A, pay out $(1+x). They will lose $x. (Note that I don’t require x > 1.)
• If B wins, the oddsmaker will, for every $1 spent on B, pay out $(1+z). They will lose $z.
• A fraction f was bet on A, the rest, 1-f, on B.
• If A wins, the oddsmaker will, in all, keep, for every $1 spent, f * $(-x) + 1-f.
• If B wins, the oddsmaker will, in all, keep, for every $1 spent, f + (1-f) * $(-z).
• The winnings will be the same for them when:
• f * (-x) + 1-f = f + (1-f) * (-z)
• f * (-x) + 1-f = f + 1-f + (1-f) * (-z-1)
• f * (-x) – f + 1-f = 1-f + (1-f) * (-z-1)
• f * (-x-1) + 1-f = 1-f + (1-f) * (-z-1)
• f * (-x-1) = (1-f) * (-z-1)
• f / (1-f) * (-x-1) = -z-1
• f / (1-f) * (x+1) = z+1

Test cases:

• We already know the relationship between 2/3, 1.1 and f = 63/113. 1 – f = 50/113
• x = 2/3, f = 63/113, z+1 = 63/113 / 50/113 * (1+2/3) = 63/113 * 113/50 * 5/3 = 63/50 * 5/3 = 63/3 * 5/50 = 21 * 1/10 = 2.1 <=> z = 1.1. Correct.
• x = 1.1, f = 50/113, z+1 = 50/113 / 63/113 * (1+1.1) = 50/113 * 113/63 * 2.1 = 50/63 * 21/10 = 50/10 * 21/63 = 5 * 1/3 = 5/3 <=> z = 2/3. Correct.

x must be greater than 0. (Why bet on something, if you can’t win more than you bet?) Likewise z must be greater than 0.

Case 1: x > 1.

• f / (1-f) * (x+1) = z+1 & z > 0
• f / (1-f) * (x+1) > 1
• f * (x+1) > 1-f
• fx + f > 1-f
• fx + 2f > 1
• f * (x + 2) > 1
• f > 1 / (x + 2)

Case 2: The odds are -100y, y > 1. This can be restated as odds +100x, 0 < x < 1.

• Bet 100y, potentially the oddsmaker will lose 100/y
• Bet 100, potentially the oddsmaker will lose 100x
• Bet 100yx, potentially the oddsmaker will lose 100x = 100x * x * y
• 100x = 100xxy
• 100 = 100xy
• 100 / 100y = x
• 1/y = x

Putting these 2 results together:

• f > 1 / (1/y + 2)
• f > y / (1 + 2y)

Phew! This was hard. I keep getting confused by the odds.

#BobDylan har været gennem Danmark med turneen #RoughAndRowdyWays. I den anledning besluttede jeg at kigge på teksterne til de sange, han sang. (Jeg gættede på forhånd på, at det ville blive de samme som i Stockholm 3 dage før, og det viste sig at holde stik.) Jeg siger undskyld på forhånd. Man kan naturligvis ikke reducere sådanne sangtekster til ganske få sætninger.

Jeg baserer det her på en fundet setlist . Hvis ikke andet er noteret, så er nummeret fra Rough and Rowdy Ways, 2020.

I’ll Be Your Baby Tonight (1968)

Lad os koncentrere os om hinanden på enhver måde (detaljeret liste) og være hinandens skattebasser. Det kan inkludere en flaske et eller andet mums.

It Ain’t Me, Babe (1964)

Du vil have mig som kæreste (detaljeret liste), men det kommer ikke på tale. Faktisk, skrid. “Leave at your own chosen speed.” Du har ikke en plads i mit hjerte. Jeg har også allerede en anden kæreste.

I Contain Multitudes

Jeg er alt muligt (detaljeret liste). “I’m just like Anne Frank – like Indiana Jones / And them British bad boys the Rolling Stones / I go right to the edge – I go right to the end / I go right where all things lost – are made good again.” Jeg er i enden af et langt liv. Jeg er på vej videre og vil godt/ikke have dig med.

False Prophet

Jeg tror, det her er (endnu) et spark i retning af “lad nu være med at tro, at jeg er jeres profet — jeg er bare mig”. “I’m the enemy of treason – the enemy of strife / I’m the enemy of the unlived meaningless life / I ain’t no false prophet – I just know what I know / I go where only the lonely can go.” “You lusty old mule.”

When I Paint My Masterpiece (1971)

Umiddelbart en sang om at være i Rom og se alle seværdighederne (detaljeret liste) og få malet sit mesterværk. Men det er også rart at tage videre og komme hjem. Og alting bliver bedre, når mesterværket er færdigt.

Black Rider

Jeg tror, den handler om døden. Og det er kompliceret. Jeg er (ikke) parat.

My Own Version of You

Æhm. Frankenstein? Jeg vil lave min egen version af dig, med disse egenskaber (detaljeret liste). En version, der kan lide mig.

To Be Alone with You (1969)

Om aftenen er vi alene sammen. Det er rart af en masse årsager (detaljeret liste).

Crossing the Rubicon

Noget med en begyndelse. Verden har det skidt, lad os fikse den. Det er ikke det eneste sted, hvor jeg tænker, at der er noget vrede mod bl.a. Trump. Men det er også viklet ind i en historie om en elsket.

Desolation Row (1965)

En masse mennesker (detaljeret liste — okay, nu skal jeg nok stoppe), der holder til i et håbløst kvarter.

Key West (Philosopher Pirate)

Død. Kærlighed. Noget med at tage til Key West og — gå gennem en portal? Key West er i sig selv et godt sted at være.

Watching the River Flow (1971)

Der er et liv fyldt med tumult. Og så er der at sidde og kigge på floden. Fred.

It’s All Over Now, Baby Blue (1965)

Noget er slut. På tide at tage videre. “All your seasick sailors, they are rowing home / All your reindeer armies, are all going home.”

I’ve Made Up My Mind to Give Myself to You

Elskede, du kan få mig, hvis du vil have mig. Det har taget lidt tid at nå frem til den tanke.

Mother of Muses

Noget om helte. Og godt nok er jeg poet, men jeg vil også gerne gøre noget vigtigt. Før jeg dør.

Goodbye Jimmy Reed

Religion! Noget om hvordan jeg er.

Every Grain of Sand (1981)

Religion! At bede om tilgivelse, at skrifte. Fristelse.

I am listening to the podcast 372 Pages We’ll Never Get Back. In episode 31-33 they discuss The Forensic Certified Public Accountant and the Cremated 64-SQUARES Financial Statements.

372 Pages We’ll Never Get Back

Real or fanfic

The spreadsheet !

Summary of important advice

Consistency, continuity.

• This team works on big cases, like a poker player.
• Talking about the chess museum in the present tense.
• Referring to things that haven’t been mentioned.

Be exciting. Have stakes.

• 2/3 through the book, new characters are still introduced, the plot isn’t moving.
• Solving the crime is just a small detail.

Flow. Chekhov’s gun.

• The criminal is a completely new person.
• Facts that are hard to understand, until you read the next chapter.

Realism. Being human.

• This huge house exploded. The death toll of 0 is waved away.
• They employ millions?
• People play checkers at the chess museum. Really?
• Marrying a person within 24 hours of meeting.
• Being able to feed your family is satisfying.
• Connection from names and skills to nickname.
• The team keeps breaking the law, like hacking FBI.
• Everybody’s happy. And top of their fields.
• Is that how courtship and proposal works?
• Huge prison sentences for doing nothing wrong.

Variety.

• I, Titus Uno, yadayada. 4 times in 1 sentence.
• Whole paragraphs are repeated.

Details: not too many, not too few.

• Explaining a conference call.
• She passed the first time. Is that good?

POV. Tone.

• … believe it or not…
• It looks like a hearing aid. “What did you say?”
• Titus Uno talks directly to the reader.
• “That makes me sick.” Titus?

Use words and phrases correctly.

• Blown to rubbish.
• Is that what cat burglar means?
• Being nice, sentence, what?
• Typos.
• Mixed metaphors. Top dog, totem pole.
• That’s not what pun means.
• 2 different fonts in the chapter headings.

Being funny

• Joking on your own joke, that isn’t funny. Author gives character silly name. Other character comments on this. (Mr. Woodcock.)
• When the name is too funny, like “Spider” Webb. On the nose.

Ep. 31, ch. 1-6

Don’t do this

• Repetition. I, Titus Uno, yadayada. 4 times in 1 sentence.
• Words. Blown to rubbish.
• Words. Is that what cat burglar means?
• Realism. This huge house exploded. The death toll of 0 is waved away.
• Words. Being nice, sentence, what?
• Realism. They employ millions?
• Typos.
• Details. Explaining a conference call.
• Continuity. This team works on big cases, like a poker player.
• POV. … believe it or not…
• POV. It looks like a hearing aid. “What did you say?”
• Continuity. Talking about the chess museum in the present tense.
• Realism. People play checkers at the chess museum. Really?
• Realism. Marrying a person within 24 hours of meeting.
• Realism. Being able to feed your family is satisfying.

Running gags

• Settle down.

Oops.

• Mike didn’t read chapter 6.

Real or fanfic, 51:34

• Mike guessing
• Real ✔️ Fanfic ✔️ Fanfic ❎ Fanfic ✔️ Real ❎

A moving duck. Actually a good expression.

Ep. 32, ch. 7-14

Don’t do this

• Excitement. 2/3 through the book, new characters are still introduced, the plot isn’t moving.
• Words. Mixed metaphors. Top dog, totem pole.
• Not funny. Joking on your own joke, that isn’t funny. Author gives character silly name. Other character comments on this. (Mr. Woodcock.)
• Not funny. When the name is too funny, like “Spider” Webb. On the nose.
• Realism. Connection from names and skills to nickname.
• Realism. The team keeps breaking the law, like hacking FBI.
• Variety. Whole paragraphs are repeated.
• Realism. Everybody’s happy. And top of their fields.
• Words. That’s not what pun means.
• POV. Titus Uno talks directly to the reader.
• Details. She passed the first time. Is that good?

Running gags

• Settle down.
• Who is the sheriff of 64-SQUARES?
• He believes…
• Ogden.

Oops.

• Mixing up choosing Titus Uno and choosing who calls TU.

Real or fanfic, 01:01:35

• Mike guessing
• Fanfic ✔️ Real ❎ Fanfic ❎ Fanfic ✔️ Fanfic ✔️
• (The last one was spoiled.)

There’s an org chart online. Made by patreons.

Ep. 33, ch. 15-end

Don’t do this

• Words. 2 different fonts in the chapter headings.
• Excitement. Solving the crime is just a small detail.
• Flow. The criminal is a completely new person.
• Continuity. Referring to things that haven’t been mentioned.
• Flow. Facts that are hard to understand, until you read the next chapter.
• Realism. Is that how courtship and proposal works?
• Realism. Huge prison sentences for doing nothing wrong.
• POV. “That makes me sick.” Titus?

Running gags

• Settle down.

Rankings, favorite on top

1. Eye of Argon
2. The Forensic…
3. Tekwar
4. Cline

This week the #puzzle is: Can You Reach the Edge of the Square? #average #geometry #trigonometry #integral

You start at the center of the unit square and then pick a random direction to move in, with all directions being equally likely. You move along this chosen direction until you reach a point on the perimeter of the unit square.

On average, how far can you expect to have traveled?

And for extra credit:

Let’s raise the stakes by a dimension. Now, you start at the center of a unit cube. Again, you pick a random direction to move in, with all directions being equally likely. You move along this direction until you reach a point on the surface of the unit cube.

On average, how far can you expect to have traveled?

Can You Reach the Edge of the Square?

Intermission:

I was the lucky person to be mentioned for my correct solution to the extra credit a week ago. Woohoo! And my request to not have my city/country translated into English was followed! Woohoo!

Highlight to reveal (possibly incorrect) solution:

Program Desmos

Let’s monte carlo this, baby!

For my program, WLOG, I assume I chose a direction in the upper right quadrant of the square, with an angle between 0 and 45 degrees.

Just to make sure, I also mess with a solution in Desmos, using integrals.

Both methods give me something like 0.561.

And for extra credit:

Desmos

Same program, new Desmos. Similar reasoning. Both methods give me something like 0.617.

I am listening to the podcast 372 Pages We’ll Never Get Back. In episode 22-29 they discuss Tekwar.

372 Pages We’ll Never Get Back

Real or fanfic

The spreadsheet ! For the first time, the guessing skill was significantly better than flipping a coin! In 3 out of 6 episodes, all guesses were correct! Magnificent!

Summary of important advice

Consistency, continuity.

• Jake has no idea how Gomez got in / Jake (from his own perspective) gave him access recently.
• Anachronistic speech.
• It was Beth. But it wasn’t Beth.
• Jake hates androids. Jake finds android Beth beautiful. Jake calls her Beth.
• Complicated plan to get Jake where he was going anyway, almost killing him on the way.
• The cynical kid is suddenly naive and trusting.
• The hair of Gomez isn’t alive anymore. On the other hand, now he sounds like Swiers.

Be exciting. Have stakes.

• Sitting around and talking about people not there. Not action. Boring.
• First sentence in chapter: Jake woke up. Non-actiony.
• Mentioning a super interesting court case in passing only.
• 1st sentence: The aircar started to sputter. Flat.
• No stakes. Nobody’s using tek.

Flow. Chekhov’s gun.

• Suddenly a new conversation begins.
• Characters described in detail, but only appearing once.
• Hokori and Sands have been mentioned so many times and still haven’t appeared.
• We hear almost nothing about the tek war phenomenon.
• And then the big bad dies within seconds.
• Checkov’s password not used.

Originality.

• Stereotypical Mexico.
• A lot of crusty detectives.

Realism. Being human.

• Punishment = suspended animation? Rehabilitation?
• Print of various shapes. Triangular?
• Apparently the robot searched for information for 14 seconds and THEN said something. That’s a long time. And very specific.
• Odd dialogue to mention the year.
• They were ALWAYS razzing him? Because his father was THIN?
• Surprising your wife is a good idea.
• Noticing what’s usually there.
• In the future all areas will be sectors.
• A British robot in California.
• Jack is talking to himself, a lot.
• Noises from Jack’s own apartment? Draw a gun! Oh wait, it was just a vacuum starting at a weird time!
• Jack doesn’t understand the concept of recordings.
• Tapping out a very, very specific fantasy.
• Gomez’ hair is alive.
• His hair seemed to bounce.
• A colleague of Jake could clear his name, but wanted money first.
• Pointing upwards with the thumb.
• As you know, Bob. Persons telling each other what they already know. Instead of letting the narrator tell it.
• The term kamikaze isn’t well-known anymore.
• Slender, but pretty.
• 1940s movies are still well-known. Girl Friday.
• For 3 minutes the house is disappearing, and they just stand there.
• Do people leave forwarding addresses at hotels?
• Beth must be super hot. Universal agreement.
• Jake happens to know how to fix androids.
• Jake is really hurt by Beth sassing him.
• Both chrome and very life-like androids are available.
• Warbride whips up a mood and then stops.
• So many mechanical arms.

Variety.

• Robot printer, happens a lot.
• Repetition. All laughs sound weird.
• Stereotypes. Cab driver.
• Repetition. At what age did he marry?
• Repetition. The state of Chihuahua. The exact center/middle.
• Constant reminders we’re in Mexico.
• Keep repeating that Jake’s foot is booted.

Details: not too many, not too few.

• Chrome everything. Do we need to know the chrome man has a chrome brain? Keep reminding us.
• Some sort of smuggler. Assorted. Vague, shouldn’t have been mentioned in the first place.
• Apparently the robot searched for information for 14 seconds and THEN said something. That’s a long time. And very specific.
• Unsubtling: that coffin was where he slept.
• Wife’s full name, too much.
• Suicide committed suicide. Stop here?
• Including that the correct button was pushed.
• Noting a time period with a weird length and it wasn’t needed.
• She is naked. Also her shoulders are naked.
• If the wall had been there, he would have slammed into it.

POV. Tone.

• Gross. The hero craps his pants.
• Name, Hambrick, distracting, funny.
• Noir isn’t just talking about the darkness all the time.
• … said the robot pimp disdainfully.

Use words and phrases correctly.

• Calling something a sky or air (vehicle), with no explanation or significance.
• Something slightly resembles a laugh. What does it actually sound like?
• Lank, not lanky.
• Plas everything. Sounds futury, dumb.
• Pronunciation of lazgun?
• Where she stores her clothes is a habit.
• Shrugging one shoulder.
• Reinventing pleather.
• A lot of whilst.
• Italicized words are at this point fully integrated words from Spanish.
• Bad sentence structure. Adding amigo to a sentence in the wrong place. “It’s, amigo, a possibility worth mentioning.” “Until he showed up last night, I wasn’t even certain he hadn’t decided I was as crooked as everyone else thinks I am.”
• A quiet smile. They can be loud?
• Just adding moonbase at the beginning.
• Age = math exercise. ‘Jake said, “Hey, fifty-six isn’t that old. I’m little more than a half dozen years from there myself, Gomez.” ‘
• Xmas.
• A sentence changing pov and tense more than once.
• Not being consistent with whether plas-whatever is 1 or 2 words or hyphenated.
• Name, Hambrick, distracting, funny.
• Yes, but what color is licorice?
• Renaming cab to landcab.
• A quirky alley.
• Commence (used wrong), start, begin.
• So many commas.
• Bulbs of light.
• Going back and forth between human and cyborg.
• Place dialogue tag in the middle. “That sure isn’t,” complained Swiers, “going to help our case”.
• Using Warbride and Elana interchangeably.
• Passwords should be dramatic?
• Using tek to relive the path (as is or better) and create a better present. What else is there?
• Chinese in one sentence, Japanese in the next.

Other stuff

• Racism.
• Racist against robots AND Mexicans.

Ep. 22

Ranking.

1. Eye of Argon (most fun)
2. Cline

Ep. 23, ch. 1-7

Don’t do this

• Vehicles are sky or air. There’s a difference? What? Does it matter?
• Chrome everything. Do we need to know the chrome man has a chrome brain? Keep reminding us.
• Some sort of smuggler. Assorted. Vague, shouldn’t have been mentioned in the first place.
• Something slightly resembles a laugh. What does it actually sound like?
• Robot printer, happens a lot.
• Lank, not lanky.
• Punishment = suspended animation? Rehabilitation?
• Print of various shapes. Triangular?
• Apparently the robot searched for information for 14 seconds and THEN said something. That’s a long time. And very specific.
• Gross. The hero craps his pants.
• Unsubtling: that coffin was where he slept.
• Repetition. All laughs sound weird.
• Odd dialogue to mention the year.
• Plas everything. Sounds futury, dumb.
• Pronunciation of lazgun?
• They were ALWAYS razzing him? Because his father was THIN?
• Stereotypes. Cab driver.
• Racism.
• Surprising your wife is a good idea.
• Repetition. At what age did he marry?
• Noticing what’s usually there.
• In the future all areas will be sectors.
• A British robot in California.
• Jack is talking to himself, a lot.
• Noises from Jack’s own apartment? Draw a gun! Oh wait, it was just a vacuum starting at a weird time!
• Where she stores her clothes is a habit.
• Wife’s full name, too much.
• Shrugging one shoulder.
• Suddenly a new conversation begins.
• Suicide committed suicide. Stop here?
• Jack doesn’t understand the concept of recordings.
• Tapping out a very, very specific fantasy.
• Reinventing pleather.

Running gags

• Clinean.
• Ogden.

Oops.

• Odgen.

Real or fanfic, 44:22

• Mike guessing.
• Fanfic ✔️ Real ✔️ Fanfic ✔️ Fanfic ✔️

Ep. 24, ch. 8-11

Don’t do this

• Sitting around and talking about people not there. Not action. Boring.
• Jake has no idea how Gomez got in / Jake (from his own perspective) gave him access recently.
• A lot of whilst.
• Italicized words are at this point fully integrated words from Spanish.
• Gomez’ hair is alive.
• His hair seemed to bounce.
• A colleague of Jake could clear his name, but wanted money first.
• Bad sentence structure. Adding amigo to a sentence in the wrong place. “It’s, amigo, a possibility worth mentioning.” “Until he showed up last night, I wasn’t even certain he hadn’t decided I was as crooked as everyone else thinks I am.”
• Pointing upwards with the thumb.
• As you know, Bob. Persons telling each other what they already know. Instead of letting the narrator tell it.
• A quiet smile. They can be loud?
• Just adding moonbase at the beginning.
• Age = math exercise. ‘Jake said, “Hey, fifty-six isn’t that old. I’m little more than a half dozen years from there myself, Gomez.” ‘
• Xmas.
• First sentence in chapter: Jake woke up. Non-actiony.
• Including that the correct button was pushed.
• A sentence changing pov and tense more than once.
• Not being consistent with whether plas-whatever is 1 or 2 words or hyphenated.
• Name, Hambrick, distracting, funny.
• The term kamikaze isn’t well-known anymore.
• Yes, but what color is licorice?
• Slender, but pretty.
• 1940s movies are still well-known. Girl Friday.

Running gags

• Long pauses in dialogue.
• Seemed to.
• Talking to himself.
• Settle down.
• Nobody laughs normally.
• Fuzzy.

Oops.

• Self-correction is actually fine.

Real or fanfic, 55:35

• Mike guessing
• Fanfic ❎ Fanfic ✔️ Real ❎ Real ✔️ Fanfic ✔️

Ep. 25, ch. 12-15

Don’t do this

• Characters described in detail, but only appearing once.
• Noir isn’t just talking about the darkness all the time.
• Mentioning a super interesting court case in passing only.
• For 3 minutes the house is disappearing, and they just stand there.
• Renaming cab to landcab.
• Stereotypical Mexico.
• Racist against robots AND Mexicans.
• A lot of crusty detectives.
• Do people leave forwarding addresses at hotels?
• A quirky alley.
• Beth must be super hot. Universal agreement.
• Commence (used wrong), start, begin.

Running gags

• Meetings.
• Discreet openings.
• Doing nothing for minutes.
• Living hair.

Oops.

• Missed the explanation for which parts of the house are real.
• Cyborg and robot, not the same.

Real or fanfic, 58:10

• Mike guessing
• Fanfic ✔️ Fanfic ❎ Fanfic ❎ Real ❎ Fanfic ✔️

Ep. 26, ch. 16-21

Don’t do this

• 1st sentence: The aircar started to sputter. Flat.
• Anachronistic speech.
• Noting a time period with a weird length and it wasn’t needed.
• It was Beth. But it wasn’t Beth.
• Jake hates androids. Jake finds android Beth beautiful. Jake calls her Beth.
• Jake happens to know how to fix androids.
• She is naked. Also her shoulders are naked.
• So many commas.
• Repetition. The state of Chihuahua. The exact center/middle.
• Bulbs of light.
• Jake is really hurt by Beth sassing him.
• Constant reminders we’re in Mexico.
• Hokori and Sands have been mentioned so many times and still haven’t appeared.

Running gags

• Hot daughter.
• Settle down.
• Discreet openings.
• Ogden.
• Shatlard.
• A variety of classic 80s dance moves.

Oops.

• The 1st time a word was shortened was not. The actual 1st was pop(ulation).
• Taking charisma for beauty?
• Talking about the programming of an android, when she’s simply an upload of the real Beth and should talk like her.
• Odgen.
• Deus ex knacks.

Real or fanfic, 39:34

• Mike guessing
• Fanfic ✔️ Real ✔️ Fanfic ✔️ Real ✔️ Fanfic ✔️

Ep. 27, ch. 22-26

Don’t do this

• Complicated plan to get Jake where he was going anyway, almost killing him on the way.
• Keep repeating that Jake’s foot is booted.
• Going back and forth between human and cyborg.
• Both chrome and very life-like androids are available.
• Place dialogue tag in the middle. “That sure isn’t,” complained Swiers, “going to help our case”.

Running gags

• Odgen.
• Shatlard.

Real or fanfic, 41:47

• Mike guessing
• Real ✔️ Fanfic ✔️ Fanfic ✔️ Fanfic ✔️ Fanfic ✔️

Ep. 28, ch. 27-30

Don’t do this

• Warbride whips up a mood and then stops.
• So many mechanical arms.
• Using Warbride and Elana interchangeably.
• No stakes. Nobody’s using tek.
• Passwords should be dramatic?
• We hear almost nothing about the tek war phenomenon.
• Using tek to relive the path (as is or better) and create a better present. What else is there?

Running gags

• The sweating fat man.
• The exact center.
• Dialogue tag in the middle.
• Odgen.
• Lag.
• John Candy. Non sequitur.

Oops.

• She’s part cyborg.

Real or fanfic, 49:17

• Mike guessing
• Fanfic ❎ Fanfic ✔️ Real ❎ Fanfic ✔️ Real ✔️

Ep. 29, ch. 31-end

Don’t do this

• The cynical kid is suddenly naive and trusting.
• … said the robot pimp disdainfully.
• Chinese in one sentence, Japanese in the next.
• If the wall had been there, he would have slammed into it.
• And then the big bad dies within seconds.
• The hair of Gomez isn’t alive anymore. On the other hand, now he sounds like Swiers.
• Checkov’s password not used.

Running gags

• Settle down.
• Curing cancer in 1 sentence.

Oops.

• Not knowing the expression “tumble to”. Or keen as a verb.

A fanfic earlier was a rewrite of bits from the book. 😦

Quality: Between Cline and Theis.

1. Eye of Argon (most fun)
2. Tekwar
3. Cline